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Festive Orchestra

A good performance, such as yesterday’s, will help convey how Debussy worked on Faune for an entire year, even though it is only 110 bars and nine-minutes long, and why he later made many changes of dynamics, and why, at its premiere, it had to be repeated.

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BFO In-Person Concerts Start July 17th

Summer classical music festivals bring heightened expectations for something different. Maybe it’s the pressing heat, or the later-setting sun, or that unrestrained summer feeling that makes you want to jump in the ocean and have a mimosa with your mid-morning omelet. Classical musicians everywhere rejoice at the prospect of kicking back, making music with friends, and bringing a community together through the performing arts.

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Thankful for the Russians, Zander & BPYO

The last time Benjamin Zander programmed Rachmaninov’s Piano Concerto No. 2, he balanced it on the bill with another heavyweight from 20th-century Russia, Shostakovich’s Symphony No. 5. That was back in November 2012, with the Boston Philharmonic Orchestra and 17-year-old local phenomenon George Li as soloist. For the Boston Philharmonic Youth Orchestra’s traditional post-Thanksgiving concert Sunday at Symphony Hall, Zander chose to pair the Rachmaninov with another great Shostakovich symphony, the Tenth.

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